Davis has been turning knobs in his father's analog home studio since childhood. In his early teenage years he spent time recording his projects and those of local bands to tape and digital formats leading him to work in a commercial studio out of high school. Hart’s years doing live sound and engineering allows for technical insight, but from his perspective, Davis’ real prowess is in his ears. He prides himself on being a keen listener and loves to offer an alternative perspective to artists. No stranger to experimentation, Davis strongly believes that recording bands is more art than science.

Nelly has been making music since she could walk. A multi-instrumentalist songwriter and producer behind post-punk projects such as Naked Lights, Surplus 1980, and most recently Smiley, she started her professional engineering career in Oakland after graduating with a degree in Sound Arts from SAE’s Expression College in the Bay Area. She loves getting drum sounds, recording to tape, and her dog Bogner (named after Ursula Bogner, minimal analog synth legend of the 1960’s).

Winston has been making music and engineering sound since childhood. Recording mixtapes from the radio as a second grader, he discovered multi-tracking by using two boomboxes. He started out engineering punk bands in warehouses in Oakland and over the last 17 years has honed his craft across professional studios in the Bay Area. His musical projects include Saything, Ted the block, and a yet unnamed modular synth project. He loves building modular synths.

Danny cut his teeth in audio engineering as a multi-instrumentalist songwriter, producer, and artist in his own right. His musical projects include Jane Jane Pollock, Danny, and Room Thirteen. Having spent the last 6 years audio engineering live events in New Orleans and as a technical director for live productions across the southeast, he joined the Pulp team as a full-time studio engineer in Gainesville in April 2019.

David is an engineer hailing from Ft. Lauderdale, FL with over 15 years of experience in music recording and performance. He earned a BD in Music Engineering with a Minor in Electrical Engineering and Jazz Bass Performance from the University of Miami. Upon graduation, David moved to Gainesville, FL, where he formed the bands Dikembe and Young Hookers, applying his skills to DIY-focused record production from converted garages and storage spaces. Since planting his roots in the small college town, he has produced several records for Florida-based acts including Expert Timing (ORL), Dryspell (ORL), Southpaw (GNV), and Sports Reference (GNV).