Audio
Tracking — Mixing — Mastering
Scoring — Producing — Foley
Mobile Recording — Live Sound
Video
Multi-angle Canon 5d DSLR
Lighting — Post Production
Stop Motion Animation
Video
(Flooded Capabilities)
Up to four angles at 4k/6k
After Effects — Coloring
Editing
Tell us about your project, big or small.

2,400 sq. ft. of floor space
Large live room with adaptable acoustics
Three isolation booths
Steinway Model B Grand Piano
Comfortably spacious control room
48-channel Daking MKII Console
64 channels of Lynx Aurora (n)
AD-DA conversion
ATC and Neumann Monitoring
Mara JH-24 2” tape machine
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700 sq. ft. of floor space
Intimate live room and mixing suite
Baldwin Upright Piano
API 2448 32-channel console
64 channels of Lynx Aurora (n)
AD-DA conversion
ATC and Yamaha Monitoring

2,400 sq. ft. of floor space
Large live room with adaptable acoustics
Three isolation booths
Steinway Model B Grand Piano
Comfortably spacious control room
48-channel Daking MKII Console
64 channels of Lynx Aurora (n)
AD-DA conversion
ATC and Neumann Monitoring
Mara JH-24 2” tape machine
700 sq. ft. of floor space
Intimate live room and mixing suite
Baldwin Upright PianoAPI 2448 32-channel console. 64 channels of Lynx Aurora (n) AD-DA conversionATC and Yamaha Monitoring
The
Conservatory
FORM Music Festival
Arcosanti, AZ
May 2019
Open yet encompassing, this sculptural installation was comprised of flared columns of fabric with internally-lit fiberglass figureheads, illuminating the canyon at Form Music Festival Arcosanti, AZ in 2017. The sculptures created an implied boundary for participants to gather in front of the stage in the valley beneath the Arcosanti architecture. Inspired by the sculptural motifs of Arcosanti’s architect, Paolo Soleri, eight elegantly curved columns uphold ethereal translucent geometric forms composed of a hemisphere conjoined to a hemicube, each in a different state of deconstruction. When arranged together, the glowing pillars integrate the sky and the landscape to the immediate environment.

Outboard Gear

Amps, Instruments, & Effects

Microphones
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Instruments
Keys & Synths
Hammond B3
Steinway Model B
Rhodes Suitcase 73
Wurlitzer 200AArturia Mini Brute
Casio SK1
Dave Smith-Prophet 08
Korg M1
Korg Poly 61
Moog Theremin
Moog Voyager
Moog Sub 37
Nord Electro 2
M Audio Axiom 49
Novation Super Nova
Roland CR-5000
Roland VK7
Roland Juno 60
Roland Juno 106
Electric Guitars
Collings 290
Don Grosh Electric Jet
Fender Stratocaster Antigua 1978
Fender Stratocaster w/ Gizmotron
Fender Telecaster w/b bender
Gibson Les Paul
Gretsch Chet Atkins Tennessee Rose
Squier Fretless Strat
Acoustics
Collings Acoustic
Martin D-28
Bass
Ibanez Blazer Bass Series
Hofner Ambassador Bass
Fender Jazz Bass
Fender P-Bass
Drums
Heron kit
Gretsch Catalina Club Classic kit
Ddrums M.A.X. kit
**Miscellaneous Percussion**
Amps
Aiken 30
Allen Old Flame
Ampeg v4
Bad Cat 30r
Bruno Underground 30
Cage Corsa
Carr Mercury
Cornford hurricane
Divided by 13 jrt 9.15
Divide by 13 ftr 37
Fender Pro Reverb
Fender Deville 212
Fender Deluxe
Louis Electric Twin Master
Matchless Spitfire 15
Matchless Clubman 35
Morgan Pr12
Music Man 65 reverb
Tone King Imperial mk ii
Tone king Meteor series ii
Roland JC-120
Swart super space tone 30
Star Gain Star 15
Swart Space Tone
Swart Space Tone Atomic
Tone King Falcon
Tone King Metropolitan
Top Hat King Royal Bass Amps
Ampeg b15
Hartke 3500
Kustom 200
Sunn scepter modded for bass
Pedals
Death By Audio Total Sonic Annihilation
Lovetone Big Cheese
Lovetone Brown Source
Lovetone Flange with no name
Lovetone Meatball
Lovetone Ring Stinger
Lovetone Wobbulator
Moog Moogerfooger MF 101 LPF
Moog Moogerfooger MF 103 Phaser
Moog Moogerfooger MF 104 Delay
Moog Moogerfooger MF 105 Murf
**assorted delays, drives, and noisemakers **
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Amps
Aiken Invader MKII
Alessandro English
Alessandro Working Dog
Allen Old Flame
Ampeg B100R Rocketbass
Ampeg Portaflex
Bad Cat Black Cat 30R
Bruno Underground 30
Cage Corsa
Carr Mercury
Carr Rambler
Clark Piedmont
Cornford Hurricane
Divided by 13 CJ 11
Divided by 13 FTR 37
Fender Deluxe Reverb
Fender Deville 212
Fender Pro Reverb
Fender Tweed Princeton
Louis Electric Amps TremoVerb
Matchless Chieftain
Matchless Clubman 35
Matchless Spitfire
Morgan PR12
Star Gain Star 15
Star Sirius 30 Reverb
Swart Atomic Spacetone
Swart Spacetone
Swart Super Spacetone 30
THD Electronics Univalve
Tone King Falcon
Tone King Imperial MK2
Tone King Metropolitan
Tophat King Royale
Victoria Victorialux Amp
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Microphones
2 AEA N22
1 AEA R84
1 AEA R88
2 AEA R92
1 AEA KU5A
2 AKG D112
4 Audio Technica AT4033
2 Audio Technica AT5045
2 Audix I5
2 Audix D6
4 Beyerdynamic M201 TG
2 Beyerdynamic M160
2 Beyerdynamic M88
2 Beyerdynamic MC 930
2 Nordic Audio Labs Black Pearl
2 Coles 4038
1 Crown PCC-160
1 Earthworks DK7
2 Earthworks QTC50
2 Earthworks SR30
2 Earthworks TC30
2 Electro-Voice RE-20
4 Gefell M930
2 Gefell UM930
1 Gefell MG CMV563
2 Gefell M300
1 Gefell UM92.1S
4 Gefell UMT 70S
2 Gefell UMT800
2 Josephson C617 Set with Gefell MK221
4 Josephson E22s
1 Josephson C716
1 Josephson C715
1 Josephson C725
1 Lucas CS-1
1 Lucas CS-4
2 Neumann M149
2 Neumann U67
4 Neumann U87
1 Neumann U47fet
2 Neumann km184
1 Neumann USM 69i
2 Neumann TLM 170-r
2 Placid Audio Copperphone
2 Royer R-122 MkII
2 Royer R-121
1 Royer SF-24V
2 Royer R-10
1 Royer SF-2
2 Sanken CU-44x MK2
2 Schoeps CMC 6 MK2
2 Schoeps CMC 6 MK4
4 Sennheiser e609
4 Sennheiser MD421 II
1 Sennheiser MD441
1 Sennheiser E935
1 Shure KSM 353
2 Shure SM 57
2 Shure SM 58 beta
2 Shure SM7B
2 Shure Beta 52A
1 Telefunken ELA m260-ss stereo tube set
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Studio A
Outboard Gear
Compressors/Limiters
Chandler Germanium Compressor
Chandler TG-1
2 Crane Song Trakker
Dangerous Music Compressor
2 DBX 160A
2 Drawmer DS 201
DW Fearn VT7
2 Electronaut M97
3 Empirical Labs EL8X-S
Highland Dynamics BG2
Overstayer M-A-S
2 Pendulum Audio OCL-500
Retro Instruments Sta Level Compressor
Retro Instruments 176
Smart C2 Compressor
SPL Transient Designer
Tube-Tech CL1B
2 UA 1176LN
EQs
Chandler TG12345 EMI Curve Bender
2 Dangerous Music Bax EQ
GML 8200 EQ
Great River EQ-2NV
Manley Stereo Pultec EQ
Pultec EQP-1A3-SS
Preamps
AEA RPQ 500
DW Fearn VT-2
2 CAPI Heider FD312
Forssell FetCode
Great River MP-2NV
2 Neve 1073
NPNG QMP4-NW Preamp
Phoenix Audio DRS-2 Mic Preamp/DI
2 RND Shelford Channel
Effects
AKG EMT 140 Plate Reverb
AKG BX20 Spring Reverb
Bricasti M7 Reverb
Eventide Eclipse
Demeter RV-1D
Fulltone Tube Tape Echo
Lexicon PCM 96
Kurzweil KSP8
Roland RE-201
Yamaha SPX990
Utilities
Dangerous Music Liaison
HT Hear Back Pro 4
Motu Midi Express XT
Radial Engineering J+4
Radial Engineering JRAK 4
Radial Engineering EXTC
Studio B
Outboard Gear
Compressors/Limiters
2 Chandler Little Devil
Chandler TG12413 Limiter
Drawmer DS-201
2 DBX 560A
2 Empirical Labs EL8X-S
Highland Dynamics BG2
Overstayer M-A-S
Retro Instruments 176
Smart C2 Compressor
SPL Transient Designer
Tab Funkenwerk v72s
Thermionic Culture Phoenix Compressor
2 UA 1176LN
EQs
Chandler LTD-1
Dangerous Music Bax EQ
Great River EQ-2NV
Great River Harrison 32 EQ
2 Pultec EQP-500A
Speck ASC-V
Preamps
2 Chandler REDD 47
Pendulum Audio Quartet
Sansamp PSA-1
Sonic Farm Berliner
Effects
AKG Emt 140 Plate Reverb
AKG BX20 Spring Reverb
Demeter RV-1D
Eventide Eclipse
Roland RE-101
Lexicon PCM 96
Sherman Filterbank
Utilities
API VPR 500 Rack
HT Hear Back Pro 4
Motu Midi Express XT
Radial Engineering J+4
Radial Engineering JRAK 4
Radial Engineering EXTC
Nicole Miglis of Hundred Waters
Los Angeles, CA / Gainesville, FL
Recording Residency - Winter 2019
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The Conservatory, co-presented by Pulp and Patreon, was a mobile recording studio and site-specific art installation inside Arcosanti’s Red Room at FORM 2019. The space functioned as a pop-up studio for sessions and interviews, and a refuge for artists to relax and take part in collaborative opportunities.
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Folk singer-songwriter, Mariee Sioux (Nevada City, CA) in conversation about her life and music as well as performances of Black Snakes and Grief in Exile in Studio A. This session was filmed in front of sculptures made by visual artist Juli Elin.
August, 2019
Bandcamp | Spotify
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The Conservatory, co-presented by Pulp and Patreon, was a mobile recording studio and site-specific art installation inside Arcosanti’s Red Room at FORM 2019. The space functioned as a pop-up studio for sessions and interviews, and a refuge for artists to relax and take part in collaborative opportunities.
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We spoke to Daniel Hanson on the heels of his latest release, Figure it Out. Find the interview on the Pulp Blog to hear more about the tools, tones and inspirations that bring his music to life.
Durham, NC
December, 2019
Bandcamp | Spotify
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Casey Jones II
Performing Live in Studio A.
Presented by
Dion Dia Records.
July, 2020 | Gainesville, FL
SpotifyFeaturing:
Casey Jones II
Alex Backman - keys
Jack Edmondson - guitar
Justin Bartholomew - drums, piano
Robert Edmondson - bass
Hezekiah Frazier - piano, drums
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Dr. Micah E. Johnson
Dr. Micah E. Johnson recorded his autobiographical monologue, “Never Had a Friend,” a gripping one-man performance that retells the story of his youth set against the Brooklyn Renaissance in the Spring of 1997. Johnson tackles the historical trauma of slavery and racism, issues of homelessness, title X1 schooling, and the power of the courageous teachers and loving friends who helped him survive it all.
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At the close of 2020 we had the great pleasure to host Lonnie Holley (Atlanta, GA) for an interdisciplinary artist residency. The accomplished improviser and visual artist spent his days immersed in creation, bouncing between the recording studio and crafting new sculptural and painted works in our fabrication shop.
Spotify | lonnieholley.com | Bandcamp

Winston Goertz-Giffen

Winston has been making music and engineering sound since childhood. Recording mixtapes from the radio as a second grader, he discovered multi-tracking by using two boomboxes. He started out engineering punk bands in warehouses in Oakland and over the last 17 years has honed his craft across professional studios in the Bay Area. His musical projects include Saything, Ted the block, and a yet unnamed modular synth project. He loves building modular synths.
https://saything.bandcamp.com/
https://tedtheblock.bandcamp.com/

HL Nelly

Nelly has been making music since she could walk. A multi-instrumentalist songwriter and producer behind post-punk projects such as Naked Lights, Surplus 1980, and most recently Smiley, she started her professional engineering career in Oakland after graduating with a degree in Sound Arts from SAE’s Expression College in the Bay Area. She loves getting drum sounds, recording to tape, and her dog Bogner (named after Ursula Bogner, minimal analog synth legend of the 1960’s).
https://nakedlights.bandcamp.com/
https://smileyoakland.bandcamp.com/album/smiley

Danny Clifton

Danny cut his teeth in audio engineering as a multi-instrumentalist songwriter, producer, and artist in his own right. His musical projects include Jane Jane Pollock, Danny, and Room Thirteen. Having spent the last 6 years audio engineering live events in New Orleans and as a technical director for live productions across the southeast, he joined the Pulp team as a full-time studio engineer in Gainesville in April 2019.
https://dannydanny.bandcamp.com/album/pontchartrain-beach
https://roomthirteen.bandcamp.com/
Winston Goertz-Giffen
Winston has been making music and engineering sound since childhood. Recording mixtapes from the radio as a second grader, he discovered multi-tracking by using two boomboxes. He started out engineering punk bands in warehouses in Oakland and over the last 17 years has honed his craft across professional studios in the Bay Area. His musical projects include Saything, Ted the block, and a yet unnamed modular synth project. He loves building modular synths.
Danny Clifton
Danny cut his teeth in audio engineering as a multi-instrumentalist songwriter, producer, and artist in his own right. His musical projects include Jane Jane Pollock, Danny, and Room Thirteen. Having spent the last 6 years audio engineering live events in New Orleans and as a technical director for live productions across the southeast, he joined the Pulp team as a full-time studio engineer in Gainesville in April 2019.
Davis Hart
Davis has been turning knobs in his father's analog home studio since childhood. In his early teenage years he spent time recording his projects and those of local bands to tape and digital formats leading him to work in a commercial studio out of high school. Hart’s years doing live sound and engineering allows for technical insight, but from his perspective, Davis’ real prowess is in his ears. He prides himself on being a keen listener and loves to offer an alternative perspective to artists. No stranger to experimentation, Davis strongly believes that recording bands is more art than science.
HL Nelly
Nelly has been making music since she could walk. A multi-instrumentalist songwriter and producer behind post-punk projects such as Naked Lights, Surplus 1980, and most recently Smiley, she started her professional engineering career in Oakland after graduating with a degree in Sound Arts from SAE’s Expression College in the Bay Area. She loves getting drum sounds, recording to tape, and her dog Bogner (named after Ursula Bogner, minimal analog synth legend of the 1960’s).
Engineers

HL Nelly
Nelly has been making music since she could walk. A multi-instrumentalist songwriter and producer behind post-punk projects such as Naked Lights, Surplus 1980, and most recently Smiley, she started her professional engineering career in Oakland after graduating with a degree in Sound Arts from SAE’s Expression College in the Bay Area. She loves getting drum sounds, recording to tape, and her dog Bogner (named after Ursula Bogner, minimal analog synth legend of the 1960’s).

Winston Goertz-Giffen
Winston has been making music and engineering sound since childhood. Recording mixtapes from the radio as a second grader, he discovered multi-tracking by using two boomboxes. He started out engineering punk bands in warehouses in Oakland and over the last 17 years has honed his craft across professional studios in the Bay Area. His musical projects include Saything, Ted the block, and a yet unnamed modular synth project. He loves building modular synths.

Danny Clifton
Danny cut his teeth in audio engineering as a multi-instrumentalist songwriter, producer, and artist in his own right. His musical projects include Jane Jane Pollock, Danny, and Room Thirteen. Having spent the last 6 years audio engineering live events in New Orleans and as a technical director for live productions across the southeast, he joined the Pulp team as a full-time studio engineer in Gainesville in April 2019.

Davis Hart

Davis has been turning knobs in his father's analog home studio since childhood. In his early teenage years he spent time recording his projects and those of local bands to tape and digital formats leading him to work in a commercial studio out of high school. Hart’s years doing live sound and engineering allows for technical insight, but from his perspective, Davis’ real prowess is in his ears. He prides himself on being a keen listener and loves to offer an alternative perspective to artists. No stranger to experimentation, Davis strongly believes that recording bands is more art than science.

HL Nelly

Nelly has been making music since she could walk. A multi-instrumentalist songwriter and producer behind post-punk projects such as Naked Lights, Surplus 1980, and most recently Smiley, she started her professional engineering career in Oakland after graduating with a degree in Sound Arts from SAE’s Expression College in the Bay Area. She loves getting drum sounds, recording to tape, and her dog Bogner (named after Ursula Bogner, minimal analog synth legend of the 1960’s).
BROW BEAT C30SMILEY
Winston Goertz-Giffen

Winston has been making music and engineering sound since childhood. Recording mixtapes from the radio as a second grader, he discovered multi-tracking by using two boomboxes. He started out engineering punk bands in warehouses in Oakland and over the last 17 years has honed his craft across professional studios in the Bay Area. His musical projects include Saything, Ted the block, and a yet unnamed modular synth project. He loves building modular synths.
SAY THINGTED THE BLOCK
Danny Clifton

Danny cut his teeth in audio engineering as a multi-instrumentalist songwriter, producer, and artist in his own right. His musical projects include Jane Jane Pollock, Danny, and Room Thirteen. Having spent the last 6 years audio engineering live events in New Orleans and as a technical director for live productions across the southeast, he joined the Pulp team as a full-time studio engineer in Gainesville in April 2019.
PONTCHARTRAIN BEACHROOM 13
David Bell

David is an engineer hailing from Ft. Lauderdale, FL with over 15 years of experience in music recording and performance. He earned a BD in Music Engineering with a Minor in Electrical Engineering and Jazz Bass Performance from the University of Miami. Upon graduation, David moved to Gainesville, FL, where he formed the bands Dikembe and Young Hookers, applying his skills to DIY-focused record production from converted garages and storage spaces. Since planting his roots in the small college town, he has produced several records for Florida-based acts including Expert Timing (ORL), Dryspell (ORL), Southpaw (GNV), and Sports Reference (GNV).